- Trade Show
Conflict photographer Kate Brooks turns her lens from the war zones she is used to covering to a new kind of genocide- the killing of African elephants and rhinos – in this sweeping and sobering expose of an underreported crisis. As the single -digit population of Northern White Rhinoceros ticks closer to zero, Brooks outlines the myriad factors contributing to the current epidemic of highly effective poaching and trafficking syndicates, drawing startling connections between the illegal wildlife trade and international terrorism and border security. But all is not yet lost- at the same time, Brooks documents the heroic efforts of conservationists, park rangers, and scientists to protect these animals on the verge of extinction in the face of seemingly insurmountable odds. The result is a potent plea for worldwide attention and action to combat the permanent loss of these majestic creatures.
Kate Brooks is a world-renowned photographer who has chronicled conflict and human rights issues for nearly two decades. She first began working as a photographer in Russia while documenting child abuse in state orphanages. The resulting photographs were published worldwide and used by the Human Rights Watch to campaign for orphans’ rights.
Kate then proceeded to dedicate herself to covering the post 9/11 decade through to the beginning of the Arab Spring; she is widely known for her extensive work across the Middle East and in Pakistan and Afghanistan. Kate’s photographs are regularly published in magazines, such as TIME, Newsweek, The New Yorker and Smithsonian. She also exhibits her work in museums and galleries across the globe.
In 2010 Kate was as a contributing cinematographer on the multiple award-winning documentaries The Boxing Girls of Kabul. Her introspective collection of essays and photos In the Light of Darkness: A Photographer’s Journey After 9/11 was selected by PDN as one of 2011’s best photography books. Kate was then awarded a 2012-13 Knight-Wallace Fellowship at the University of Michigan. There she began researching wildlife trafficking and the pan African poaching epidemic for the documentary film The Last Animals. Kate’s drive and passion for this project come from the fundamental belief that time is running out and that we are at a critical moment in natural history.